o Nutria NN: Nutria in The New York Times (Art in Review)l

domingo, enero 14, 2007

Nutria in The New York Times (Art in Review)

Concentration Camp
Roebling Hall
606 West 26th Street, Chelsea
Through Wednesday

Iván Navarro’s black-light neon sculptures are on the gimmicky side; never mind their supposed concern with power and torture and, thus, the background of this Chilean-born, New York-based artist. In an uncomfortably dark gallery, this show includes actual-size outlines of Marcel Breuer’s classic Wassily chair and Gerrit Rietveld’s Z chair, as well as a basketball hoop. Mr. Navarro is also known for sculptures quoting well-known Modernist furniture, using fluorescent tubes. The fluorescent works are more engaging because the translation is more awkward, as suggested by a wheelbarrow made of purple-colored fluorescent tubes. But the real draw of this show is a melancholic music video that shows the wheelbarrow in action.
In this video, titled “Flashlight: I Am Not From Here, I Am Not From There,” Mr. Navarro’s collaborator is Christian Torres-Roje, a member of the band Nutria, from Williamsburg, Brooklyn. Dressed as a down-and-out man, Mr. Torres-Roje pushes the wheelbarrow around the urban wilds, past crumbling warehouses and along train tracks. The tubes are lighted by power from a generator riding in the wheelbarrow; the generator runs on gasoline he siphoned from a car. Periodically he stops to change the color of the fluorescent tubes — they are violet, then yellow, then white, then red — like a methodical laborer going about his tasks.
On the soundtrack Mr. Torres-Roje sings in Spanish, with English subtitles, his cover of the Latin ballad “No Soy de Aquí, Ni Soy de Allá” (the video’s subtitle, in Spanish), giving an almost exquisite poignancy to its lyrics, whose mixture of memory, regret and joy seems perfectly tailored to Mr. Torres-Roje’s wanderings. Dusk settles, and the wheelbarrow, a rolling flashlight, seems to proceed under its own power. There is something ineffably sad in the combination of absurdity, injustice and beauty that these maneuvers convey. ROBERTA SMITH

"Flashlifht" in YouTube: http://www.youtube.com/watch?v=MdF9s-jUxTM